PRISTUP EPISTEMOLOGIJI, KNJIŽEVNOSTI I PJESNIKOVOJ POLITICI
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Moja je početna pretpostavka da je shvaćanje ili doxa što smo ga naslijedili od Visokoga modernizma zakazalo tokom, i upravo zbog, postmodernističkog i postfordističkog trijumfa grabljivog kapitalizma. Time je obuhvaćena i masovna zlouporaba modernih nauka u ratovima i osiromašavanju naroda, kao i uništavanje intelektualnih pretpostavki kako praktične ljevice u doba staljinizma, koje se manifestovalo u katastrofama posle 1968. i 1989, tako i pravog slobodoljubivog liberalizma.
Ta široka tema zaslužuje zasebnu obradu, premda uz oštro odbacivanje postmodernističke „slabe misli“ napuštanja razuma. U ovome eseju predočavam, najprije, što bi mogle biti osnove i značajni vidovi epistemologije, grane filozofije koja postavlja pitanje kako znamo ono što (mislimo da) znamo, te predlažem kako se orijentirati u njoj (krećući se ka „mekom“ skepticizmu). Potom pravim paralele između nauka i umjetnosti, uključujući i njihova institucionalna uporišta, osobito u pogledu naracije. Završavam kratkim osvrtom na to kako umjetnost i pjesnička spoznaja mogu intervenirati u politici slobode i opstanka: u značajnoj mjeri, ali indirektno.
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