KULTURA KONVERGENCIJE: POJAM I KRITIKE
Главни садржај чланка
Сажетак
Konvergencija se često navodi kao ključna odlika medija u digitalnom dobu, dok pojam kultura konvergencije nastaje kako bi se načinio otklon od tehnocentričnog poimanja promena koje donosi kompjuterska mreža. Cilj ovoga rada je da ponudi analizu kulture konvergencije i odlika koje joj pripisuje Henri Dženkins, te da kritički preispita primenljivosti ovog pojma na celinu kompjuterski posredovanog komuniciranja. Tezu da je kultura konvergencije preovlađujuća ili poželjna kultura u digitalnom okruženju osporavaju gledišta da nisu svi internetski korisnici produktivni i kreativni, da je amaterska proizvodnja internetskih sadržaja u osnovi besplatni rad na kojem profitiraju internetske korporacije i da učešće u digitalnoj kulturi ne proširuje i ne produbljuje participaciju građana u društvenom životu.
Downloads
Download data is not yet available.
Детаљи чланка
Како цитирати
Kleut, J. (2017). KULTURA KONVERGENCIJE: POJAM I KRITIKE. Годишњак Филозофског факултета у Новом Саду, 41(1), 165–182. преузето од https://godisnjak.ff.uns.ac.rs/index.php/gff/article/view/1846
Bрој часописа
Секција
Медијске студије
Референце
Andrejevic, M. (2011). The work that affective economics does. Cultural Studies, 25(4–5), 604–620. doi: 10.1080/09502386.2011.600551
Bergström, A. (2008). The Reluctant Audience: Online Participation in the Swedish Journalistic Context. Westminster Papers in Communication and Culture, 5(2), 60–80.
Bird, S. E. (2011). Are We All Produsers Now?: Convergence and Media Audience Practices. Cultural Studies, 25(4-5), 502–516. doi: 10.1080/09502386.2011.600532
Bolin, G. (2012). The labour of media use. Information, Communication & Society, 15(6), 796–814. doi: 10.1080/1369118X.2012.677052
Bolter, J. D., & Grusin, R. (2000). Remediation: Understanding New Media. Cambridge-London: MIT Press.
Bruns, A. (2008). Blogs, Wikipedia, Second Life, and Beyond: From Production to Produsage. New York: Peter Lang.
Bruns, A. (2006). Towards Produsage: Futures for User-Led Content Production. In Fay Sudweeks, Herbert Hrachovec, & Charles Ess (eds.) Proceedings Cultural Attitudes towards Communication and Technology, Tartu, pp. 275–284.
Burgess, J., & Green, J. (2011). YouTube: Online Video and Participatory Culture. Cambridge: Polity Press.
Carpentier, N. (2011a). Contextualising author-audience convergences: “New” technologies’ claims to increased participation, novelty and uniqueness. Cultural Studies, 25 (4–5), 517–533. doi: 10.1080/09502386.2011.600537
Carpentier, N. (2011b). The concept of participation. If they have access and interact, do they really participate?. CM, Communication Management Quarterly, 21: 13–36.
Carpentier, N. (2016). Beyond the Ladder of Participation: An Analytical Toolkit for the Critical Analysis of Participatory Media Processes. Javnost - The Public, 23(1), 70–88. doi: 10.1080/13183222.2016.1149760
Deuze, M. (2007). Convergence culture in the creative industries. International Journal of Cultural Studies, 10(2), 243–263. doi: 10.1177/1367877907076793
Deuze, M. (2009). Media industries, work and life. European Journal of Communication, 24 (4), 467–480. doi: 10.1177/0267323109345523
Eco, E. (1986). Travels in Hyperreality. New York: Harcourt Brace Jovanovich.
Fidler, R. (2004). Mediamorphosis.Beograd: Clio.
Fisk, Dž. (2001). Popularna kultura. Beograd: Clio.
Fuchs, C.–Sevignani, S. (2013). What is digital labour? What is digital work? What’s their difference? And why do these questions matter for understanding social media? TripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society, 11(2), 237–293.
Gil¬lan¬, J. (2011). Te¬le¬vi¬sion ¬and ¬New¬ Me¬dia: ¬Must¬ Click ¬TV. ¬New York: Ro¬u¬tled¬ge.
Harrington, S.–Highfield, T.–Bruns, A. (2012). More than a backchannel: Twitter and television. Participations, 10(1), 13–17.
Hasebrink, U.–Domeyer, H. (2012). Media repertoires as patterns of behaviour and as meaningful practices: A multimethod approach to media use in converging media environments. Participations, 9(2), 757–779.
Hebdiž, D. (1980). Potkultura: značenje stila. Beograd: Rad.
Herkman, J. (2012). Convergence or intermediality? Finnish political communication in the New Media Age. Convergence: The International Journal of Research into New Media Technologies, 18(4), 369–384. doi: 10.1177/1354856512448727.
Hesmondhalgh, D. (2010). User-generated content, free labour and the cultural industries. Ephemera, 10(3/4), 267–284.
Hay, J.–Couldry, N. (2011). Rethinking convergence/culture: An introduction. Cultural Studies, 25(4–5), 473–486. doi: 10.1080/09502386.2011.600527
Iris, A. (1999). Informacione magistrale. Beograd: Clio.
Jenkins, H. (1992). Textual poachers: Television fans and participatory culture. New York: Routledge.
Jenkins, H. (2006). Convergence culture: where old and new media collide. New York: New York University Press.
Jenkins, H. (2014). Rethinking “Rethinking Convergence/Culture.” Cultural Studies, 28(2), 267–297. doi: 10.1080/09502386.2013.801579
Jenkins, H.–Carpentier, N. (2013). Theorizing participatory intensities: A conversation about participation and politics. Convergence: The International Journal of Research into New Media Technologies, 19(3), 265–286. doi: 10.1177/1354856513482090
Jenkins, H.–Ford, S.–Green, J. (2013). Spreadable media: Creating value and meaning in a networked culture. New York: New York University Press.
Kleut, Jelena (2011). Veb dizajn i konstruisanje pozicije korisnika. U: Veljanovski, R. (ured.), Zbornik Verodostojnost medija: dometi medijske tranzicije (153–169). Beograd: Čigoja.
Kleut, J.–Drašković, B. (2014). Participacija publike i novinarska praksa u Srbiji: stavovi novinara i urednika. U: Nikolić, M. (ured.). Zbornik radova sa naučnog skupa Menadžment dramskih umetnosti i medija – izazovi XXI veka. Beograd: Fakultet dramskih umetnosti, Institut za pozorište, film, radio i televiziju. 335–348.
Lasica, J. (2003). Blogs and Journalism Need Each Other. Nieman Reports http://niemanreports.org/articles/blogs-and-journalism-need-each-other/
Lazzarato, M. (2004). Nematerijalni rad. Čemu, VI(12/13), 149 –158.
Lister, M., Dovey, J., Giddings, S., Grant, I., & Kelly, K. (2009). New Media: A critical introduction (Second Edition). London: Routledge.
Livingstone, S. (1990). Making Sense of Television: The Psychology of Audience Interpretation. Oxford: Pergamon Press.
Lovink, G., & Tkacz, N. (eds.) (2011). Critical Point of View: A Wikipedia Reader. Amsterdam: Institute of Network Cultures.
Malmelin, N., & Villi, M. (2015). Co-creation of what? Modes of audience community collaboration in media work. Convergence: The International Journal of Research into New Media Technologies, (online first). doi: 10.1177/1354856515592511
Meyers, E. A. (2012). „Blogs give regular people the chance to talk back”: Rethinking “professional” media hierarchies in new media. New Media & Society, 14(6), 1022–1038. doi: 10.1177/1461444812439052
Morley, D. (1992). Television, audiences and cultural studies. London and New York: Routledge.
Negropont, N. (1998). Biti digitalan. Beograd: Clio.
Nee, R. C. (2013). Social TV and the 2012 Election: Exploring Political Outcomes of Multiscreen Media Usages. Electronic News, 7(4), 171–188. doi: 10.1177/1931243113515677
Pavlíčková, T.–Kleut, J. (2016). Produsage as experience and interpretation. Participations: Journal of Audience and Reception Studies, 13(1): 349-359.
Perryman, N. (2008). Doctor Who and the Convergence of Media: A Case Study in ‘Transmedia Storytelling’. Convergence: The International Journal of Research into New Media Technologies, 14(1), 21–39. doi: 10.1177/1354856507084417
Picone, I. (2011). Produsage as a Form of Self-publication. A Qualitative Study of Casual News Produsage. New Review of Hypermedia and Multimedia, 17(1), 99–120. doi: 10.1080/13614568.2011.552643
Radway, J. (1991). Reading the Romance: Women, Patriarchy, and Popular Literature. Chapel Hill: University of North Carolina Press.
Ritzer, G. (2014). Prosumption: Evolution, Revolution, or Eternal Return of the Same? Journal of Consumer Culture, 14(1), 3–24. doi: 10.1177/1469540513509641
Robinson, S. (2010). Traditionalists vs. Convergers: Textual Privilege, Boundary Work, and the Journalist--Audience Relationship in the Commenting Policies of Online News Sites. Convergence: The International Journal of Research into New Media Technologies, 16(1), 125–143. doi: 10.1177/1354856509347719
Schrøder, C. K. (2011). Audiences are inherently cross-media: Audience studies and the cross-media challenge. CM - časopis za upravljanje komuniciranjem, 6(18), 5–27.
Shirky, C. (2010). Cognitive Surplus: Creativity and Generosity in a Connected Age. London: Penguin Books.
Singer, J. B et al. (2011). Participatory Journalism: Guarding Open Gates at Online Newspapers. West-Sussex: Wiley-Blackwell.
Silverstone, R. (1995). Convergence is a dangerous word. Convergence: The International Journal of Research into New Media Technologies, 1(1), 11–13. doi: 10.1177/135485659500100102
Terranova, T. (2004). Network culture: Politics for the information age. London: Pluto Press.
Van Dijck, J. (2009). Users like you? Theorizing agency in user-generated content. Media, Culture, and Society, 31(1), 41–58. doi: 10.1177/0163443708098245
Van Dijck, J.–Nieborg, D. (2009). Wikinomics and its discontents: a critical analysis of Web 2.0 business manifestos. New Media & Society, 11(5), 855–874. doi: 10.1177/1461444809105356
Vesnić-Alujević, L.–Murru, I. M. F. (2016). Digital audiences disempowerment: Participation or free labour. Participations: Journal of Audience and Reception Studies, 13(1): 422–430.
Wilson, S. (2015). In the living room: Second screens and TV audiences. Television & New Media, 17(2): 174 –191. doi: 10.1177/1527476415593348
Bergström, A. (2008). The Reluctant Audience: Online Participation in the Swedish Journalistic Context. Westminster Papers in Communication and Culture, 5(2), 60–80.
Bird, S. E. (2011). Are We All Produsers Now?: Convergence and Media Audience Practices. Cultural Studies, 25(4-5), 502–516. doi: 10.1080/09502386.2011.600532
Bolin, G. (2012). The labour of media use. Information, Communication & Society, 15(6), 796–814. doi: 10.1080/1369118X.2012.677052
Bolter, J. D., & Grusin, R. (2000). Remediation: Understanding New Media. Cambridge-London: MIT Press.
Bruns, A. (2008). Blogs, Wikipedia, Second Life, and Beyond: From Production to Produsage. New York: Peter Lang.
Bruns, A. (2006). Towards Produsage: Futures for User-Led Content Production. In Fay Sudweeks, Herbert Hrachovec, & Charles Ess (eds.) Proceedings Cultural Attitudes towards Communication and Technology, Tartu, pp. 275–284.
Burgess, J., & Green, J. (2011). YouTube: Online Video and Participatory Culture. Cambridge: Polity Press.
Carpentier, N. (2011a). Contextualising author-audience convergences: “New” technologies’ claims to increased participation, novelty and uniqueness. Cultural Studies, 25 (4–5), 517–533. doi: 10.1080/09502386.2011.600537
Carpentier, N. (2011b). The concept of participation. If they have access and interact, do they really participate?. CM, Communication Management Quarterly, 21: 13–36.
Carpentier, N. (2016). Beyond the Ladder of Participation: An Analytical Toolkit for the Critical Analysis of Participatory Media Processes. Javnost - The Public, 23(1), 70–88. doi: 10.1080/13183222.2016.1149760
Deuze, M. (2007). Convergence culture in the creative industries. International Journal of Cultural Studies, 10(2), 243–263. doi: 10.1177/1367877907076793
Deuze, M. (2009). Media industries, work and life. European Journal of Communication, 24 (4), 467–480. doi: 10.1177/0267323109345523
Eco, E. (1986). Travels in Hyperreality. New York: Harcourt Brace Jovanovich.
Fidler, R. (2004). Mediamorphosis.Beograd: Clio.
Fisk, Dž. (2001). Popularna kultura. Beograd: Clio.
Fuchs, C.–Sevignani, S. (2013). What is digital labour? What is digital work? What’s their difference? And why do these questions matter for understanding social media? TripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society, 11(2), 237–293.
Gil¬lan¬, J. (2011). Te¬le¬vi¬sion ¬and ¬New¬ Me¬dia: ¬Must¬ Click ¬TV. ¬New York: Ro¬u¬tled¬ge.
Harrington, S.–Highfield, T.–Bruns, A. (2012). More than a backchannel: Twitter and television. Participations, 10(1), 13–17.
Hasebrink, U.–Domeyer, H. (2012). Media repertoires as patterns of behaviour and as meaningful practices: A multimethod approach to media use in converging media environments. Participations, 9(2), 757–779.
Hebdiž, D. (1980). Potkultura: značenje stila. Beograd: Rad.
Herkman, J. (2012). Convergence or intermediality? Finnish political communication in the New Media Age. Convergence: The International Journal of Research into New Media Technologies, 18(4), 369–384. doi: 10.1177/1354856512448727.
Hesmondhalgh, D. (2010). User-generated content, free labour and the cultural industries. Ephemera, 10(3/4), 267–284.
Hay, J.–Couldry, N. (2011). Rethinking convergence/culture: An introduction. Cultural Studies, 25(4–5), 473–486. doi: 10.1080/09502386.2011.600527
Iris, A. (1999). Informacione magistrale. Beograd: Clio.
Jenkins, H. (1992). Textual poachers: Television fans and participatory culture. New York: Routledge.
Jenkins, H. (2006). Convergence culture: where old and new media collide. New York: New York University Press.
Jenkins, H. (2014). Rethinking “Rethinking Convergence/Culture.” Cultural Studies, 28(2), 267–297. doi: 10.1080/09502386.2013.801579
Jenkins, H.–Carpentier, N. (2013). Theorizing participatory intensities: A conversation about participation and politics. Convergence: The International Journal of Research into New Media Technologies, 19(3), 265–286. doi: 10.1177/1354856513482090
Jenkins, H.–Ford, S.–Green, J. (2013). Spreadable media: Creating value and meaning in a networked culture. New York: New York University Press.
Kleut, Jelena (2011). Veb dizajn i konstruisanje pozicije korisnika. U: Veljanovski, R. (ured.), Zbornik Verodostojnost medija: dometi medijske tranzicije (153–169). Beograd: Čigoja.
Kleut, J.–Drašković, B. (2014). Participacija publike i novinarska praksa u Srbiji: stavovi novinara i urednika. U: Nikolić, M. (ured.). Zbornik radova sa naučnog skupa Menadžment dramskih umetnosti i medija – izazovi XXI veka. Beograd: Fakultet dramskih umetnosti, Institut za pozorište, film, radio i televiziju. 335–348.
Lasica, J. (2003). Blogs and Journalism Need Each Other. Nieman Reports http://niemanreports.org/articles/blogs-and-journalism-need-each-other/
Lazzarato, M. (2004). Nematerijalni rad. Čemu, VI(12/13), 149 –158.
Lister, M., Dovey, J., Giddings, S., Grant, I., & Kelly, K. (2009). New Media: A critical introduction (Second Edition). London: Routledge.
Livingstone, S. (1990). Making Sense of Television: The Psychology of Audience Interpretation. Oxford: Pergamon Press.
Lovink, G., & Tkacz, N. (eds.) (2011). Critical Point of View: A Wikipedia Reader. Amsterdam: Institute of Network Cultures.
Malmelin, N., & Villi, M. (2015). Co-creation of what? Modes of audience community collaboration in media work. Convergence: The International Journal of Research into New Media Technologies, (online first). doi: 10.1177/1354856515592511
Meyers, E. A. (2012). „Blogs give regular people the chance to talk back”: Rethinking “professional” media hierarchies in new media. New Media & Society, 14(6), 1022–1038. doi: 10.1177/1461444812439052
Morley, D. (1992). Television, audiences and cultural studies. London and New York: Routledge.
Negropont, N. (1998). Biti digitalan. Beograd: Clio.
Nee, R. C. (2013). Social TV and the 2012 Election: Exploring Political Outcomes of Multiscreen Media Usages. Electronic News, 7(4), 171–188. doi: 10.1177/1931243113515677
Pavlíčková, T.–Kleut, J. (2016). Produsage as experience and interpretation. Participations: Journal of Audience and Reception Studies, 13(1): 349-359.
Perryman, N. (2008). Doctor Who and the Convergence of Media: A Case Study in ‘Transmedia Storytelling’. Convergence: The International Journal of Research into New Media Technologies, 14(1), 21–39. doi: 10.1177/1354856507084417
Picone, I. (2011). Produsage as a Form of Self-publication. A Qualitative Study of Casual News Produsage. New Review of Hypermedia and Multimedia, 17(1), 99–120. doi: 10.1080/13614568.2011.552643
Radway, J. (1991). Reading the Romance: Women, Patriarchy, and Popular Literature. Chapel Hill: University of North Carolina Press.
Ritzer, G. (2014). Prosumption: Evolution, Revolution, or Eternal Return of the Same? Journal of Consumer Culture, 14(1), 3–24. doi: 10.1177/1469540513509641
Robinson, S. (2010). Traditionalists vs. Convergers: Textual Privilege, Boundary Work, and the Journalist--Audience Relationship in the Commenting Policies of Online News Sites. Convergence: The International Journal of Research into New Media Technologies, 16(1), 125–143. doi: 10.1177/1354856509347719
Schrøder, C. K. (2011). Audiences are inherently cross-media: Audience studies and the cross-media challenge. CM - časopis za upravljanje komuniciranjem, 6(18), 5–27.
Shirky, C. (2010). Cognitive Surplus: Creativity and Generosity in a Connected Age. London: Penguin Books.
Singer, J. B et al. (2011). Participatory Journalism: Guarding Open Gates at Online Newspapers. West-Sussex: Wiley-Blackwell.
Silverstone, R. (1995). Convergence is a dangerous word. Convergence: The International Journal of Research into New Media Technologies, 1(1), 11–13. doi: 10.1177/135485659500100102
Terranova, T. (2004). Network culture: Politics for the information age. London: Pluto Press.
Van Dijck, J. (2009). Users like you? Theorizing agency in user-generated content. Media, Culture, and Society, 31(1), 41–58. doi: 10.1177/0163443708098245
Van Dijck, J.–Nieborg, D. (2009). Wikinomics and its discontents: a critical analysis of Web 2.0 business manifestos. New Media & Society, 11(5), 855–874. doi: 10.1177/1461444809105356
Vesnić-Alujević, L.–Murru, I. M. F. (2016). Digital audiences disempowerment: Participation or free labour. Participations: Journal of Audience and Reception Studies, 13(1): 422–430.
Wilson, S. (2015). In the living room: Second screens and TV audiences. Television & New Media, 17(2): 174 –191. doi: 10.1177/1527476415593348