STARI RAD DIVOVA — RUŠEVINE I NOSTALGIJA U STAROENGLESKOJ POEZIJI
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Iako je termin nostalgija sasvim nepoznat u anglosaksonskoj Engleskoj, budući da je kovanica koja datira iz XVII veka, i budući da nema eksplicitnih reference na bilo šta slično u staroengleskom korpusu, fenomen koji nazivamo nostalgijom je svakako prisutan i vidljiv u staroengleskoj poeziji, kao i drugde u srednjovekovnoj i ranijoj književnosti, što nije nimalo čudno, budući da je čeznja za prošlošću, domovinom i izgubljenim zajednička ljudima svakog porekla i svih perioda. U staroengleskoj poeziji, nostalgija se često javlja u slikama ruševina jer uništena zdanja mogu nositi dirljive poruke za one koji su ili došli da ih posmatraju i razmišljaju o prošlosti ili su se u njima nenadano obreli delovanjem sudbine. Te poruke mogu biti ne samo prenete u ime i od strane samih, personifikovanih, ruševina ili u ime onih koji su u njima nekada davno obitavali, već i poruke homiletičke prirode upućene onima koji u ruševinama možda vide sopstevni odraz ili sudbinu svog sopstevnog vremena koje polako ide ka istom kraju i tera ih da potraže način da obnove ruševine svog duha, to jest, da izbegnu duhovnu ruinaciju. Ovaj rad se bavi sa takvim slikama arhitektonskog propadanja s ciljem da uspostavi veze između nostalgije i simbolizma ruševina u staroengleskoj pesničkoj tradiciji. U radu idemo putem savremenih analiza staroengleske književnosti koje zahtevaju da rukopise izučavamo holistički i pesme u njima sačuvane posmatramo kao dela koja treba čitati nekim redom i kao dela koja imaju mnoštvo toga zajedničkog, a pre svega kao dela nastala i kasnije čitana u manastirima (up. Ericksen, 2011; Reading, 2018; Niles, 2019). Na kraju, rad teži ka tome da uđe u dijalog s drugim studijama nostalgije u staroengleskoj poeziji, neke od kojih je posmatraju kao glavni stubi staroengleske poetike (up. Di Sciacca, 2006; Fell, 2013; Trilling, 2008).
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