HARTMANN'S PHENOMENOLOGY OF THE PAINTING
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Abstract
The topic of this paper is an analysis of Hartmann's phenomenological ontology of the painting. The first part of the text explains some key concepts of Hartmann's philosophy of art, as well as his general phenomenological approach. The central part of the paper interprets Hartmann's multi-layered analysis of the painting (portrait). Finally, the concluding section presents the research findings; in a broader context, the problem of the painting is closely connected to the phenomenological method, which explains its methodologically prominent role in Hartmann's analysis of art.
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