A CRITICAL READING OF HRONEC’S LITERARY WORK FROM THE PERSPECTIVE OF INTERTEXTUALITY
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Abstract
This article analyzes the monograph Intertextuality in Viťazoslav Hronec’s literary work (Podoby intertextuality v tvorbe Viťazoslava Hronca) by Marina Šimáková Spevákova, in which she interpreted Hronec’s literary work systematically, from the perspective of intertextuality. The emphasis is on the theoretical and methodological problematics of intertextuality itself, i.e. her explicit and implicit nature and the so- called theory of citation, which is well applied in Šimáková Speváková’s work. Parallel to this theoretical problematics, the article discusses the method of Šimáková Speváková’s thorough and nuanced analysis, which is based on Hronec’s literary tendencies in context of the change in European literature, especially through transition period from modern to postmodern literature in the second half of the 20th century. Through the analysis of Hronec’s poetic, prose and autoreflexive work, Šimáková Speváková managed to prove to a large extent her initial thesis according to which intertextuality is the basic creative method, the semantic and ontological principle, but also the aesthetic norm in Hronec‘s literary work.
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References
Lutrov, V. (1997). Stretnutie s Minotaurom. Báčsky Petrovec: Kultúra.
Hronec, V. (1999). Almagest. Beograd, Báčsky Petrovec: Zavod za izdavanje udžbenika, Kultúra.
Hronec, V. (2008). Nulový stupeň rétoriky. Stará Pazova: Art centrum Chlieb a hry.
Šimáková-Speváková, M. (2015). Podoby intertextuality v tvorbe Víťazoslava Hronca. Novi Sad: Vojvodjanska akademija nauka i umetnosti.