THE NOSTALGIA BEHIND THE DECONSTRUCTION OF DEATH AND ITS PERSONIFICATION IN TERRY PRATCHETT’S DISCWORLD

Main Article Content

Anđelka Gemović

Abstract

The paper explores the portrayals of nostalgia and the notion of death in the popular fantasy book series Discworld, written by Terry Pratchett. In the novels, death is not depicted as a mere natural phenomenon but rather as a recurring, fully developed character whose role throughout the series is manifold and essential to convey the author’s underlying doctrine. Firstly, the paper is to briefly demonstrate the relevant perspectives on nostalgia by Davis (1979), Boym (2001,2007), and Salmose (2019) and their relation to the topic of the paper. The following part is to exemplify Pratchett’s illustrations of death and the nostalgia they convey, as well as to uncover the philosophy behind the deconstruction of conventional supposition towards humanness and dying. The character of Death simultaneously functions as an objective observer of humanity and a subjective participant who frequently fails to meet the criteria of being a human. It is precisely through these instances that Pratchett invokes the uniquely human mixture of follies and decency he glorifies throughout his oeuvre. The analysis is generated by presenting different narratives centered on the character of Death, which often encompass nostalgic views on the simplicity of life in the past and the loss of human essence associated with the deteriorating social values of the contemporary era. Therefore, the research aims to investigate Pratchett’s purportedly nostalgic personification of death in relation to his depiction of the aforementioned concerns.

Downloads

Download data is not yet available.

Metrics

Metrics Loading ...

Article Details

How to Cite
Gemović, A. (2024). THE NOSTALGIA BEHIND THE DECONSTRUCTION OF DEATH AND ITS PERSONIFICATION IN TERRY PRATCHETT’S DISCWORLD. ANNUAL REVIEW OF THE FACULTY OF PHILOSOPHY, 48(3), 89–103. https://doi.org/10.19090/gff.v48i3.2396
Section
ELALT

References

Alm-Arvius, C. (2003). Figures of Speech. Stockholm: Studentlitteratur.

Pierce, A. (1986). On a Pale Horse. London: Del Rey.

Boym, S. (2001). The future of nostalgia. New York: Basic Books.

Boym, S. (2007). Nostalgia and Its Discontents. The Hedgehog Review, 9(2), 7–18.

Burrows, M. (2020). The Magic of Terry Pratchett. Barnsley: White Owl.

Camus, A. (2008). Notebooks 1951-1959. Chicago: Ivan R Dee.

Casella, A.–Ferris, W. (1936). Death Takes a Holiday. New York: Samuel French.

Davis, F. (1979). Yearning for Yesterday: A Sociology of Nostalgia. New York: The Free Press.

Gaiman, N. (2020). Sandman Box Set. Burbank: DC Comics.

Heidegger, M. (2008). Being and Time. New York: Harper Collins.

Huang, M. (2018). Fantasy as Belief and Its Happenings in Terry Pratchett’s Hogfather. In M. Rana (Ed.), Terry Pratchett’s Narrative Worlds: From Giant Turtles to Small Gods 177–194. Springer International Publishing. DOI: https://doi.org/10.1007/978-3-319-67298-4_10

Kňazeová, T. (2014). The Concept of Death in Terry Pratchett’s Discworld Series. Ph.D. Thesis, Masaryk University, Brno.

Lamont, C. (1997). The Philosophy of Humanism. New York: Humanist Press.

Lockett, C. (2021). Death, Cruelty and Magical Humanism in the Fantasy of Terry Pratchett. London: In N. Brooks and S. Blanchette (Eds.), Narrative Arts and the Politics of Health. 193-209. Anthem Press. DOI: https://doi.org/10.2307/j.ctv22d4tkt.16

Neely, E. (2014). The Care of the Reaper Man: Death, the Auditors, and the Importance of Individuality. In J. Held and J. South (eds). Philosophy and Terry Pratchett. 228-248. London: Palgrave.

Pratchett, T. (1998). Hogfather. London: Corgi.

Pratchett, T. (2009). Mort. New York: Harper.

Pratchett, T. (2012). Reaper Man. New York: Harper.

Pratchett, T. (2013). Soul Music: A Novel of Discworld. New York: Harper.

Pratchett, T. (2014). Thief of Time: A Novel of Discworld. New York: Harper.

Pratchett, T. – Briggs, S. (2014). Turtle Recall: The Discworld Companion. . .So Far. London: Gollancz.

Rana, M. (ed.) (2018). Shedding the ‘Light Fantastic’ on Terry Pratchett’s Narrative Worlds: An Introduction. In Terry Pratchett’s Narrative Worlds: From Giant Turtles to Small Gods 1–20. New York: Springer International Publishing. DOI: https://doi.org/10.1007/978-3-319-67298-4_1

Salmose, N. (2019). Contemporary Nostalgia. Basel: MDPI.

Teodorescu, A. (2015). Death Representations in Literature: Forms and Theories.

Terry Pratchett | New Humanist. (n.d.). Retrieved April 22, 2023, from https://newhumanist.org.uk/contributors/2591/terry-pratchett

Vinczeová, B. (2020). Death Has a Name: The Personification of Death in British Fantastic Fiction. American and British Studies Manual. 67-81.

Zusak, M. (2007). The Book Thief. New York: Penguin Random House.

Özbay, E. (2021). Satire in fantasy literature: Terry Pratchett's Discworld series. Ph.D. thesis, Ankara University, Ankara.