ZAŠTO NE ESTETIKA IGRE?
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Abstract
Ovaj rad posvećen je razmatranju estetike igre, shvaćene kao filozofije umetnosti plesa. U radu se razmatraju uzroci činjenice da umetnost igre, za razliku od drugih umetnosti, nikada nije predstavljala jednu od centralnih tema filozofskog istraživanja. Ponuđene analize orijentisane su na rađanje modernog pojma lepih umetnosti u XVIII veku i formiranje kategorizacije pet kardinalnih umetnosti. Na osnovu ovih analiza zaključuje se da je izostajanje igre iz korpusa kardinalnih umetnosti posledica primata problema saznanja u novovekovnom promišljanju umetnosti.
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How to Cite
Popović, U. (2018). ZAŠTO NE ESTETIKA IGRE?. ANNUAL REVIEW OF THE FACULTY OF PHILOSOPHY, 42(2), 59–70. https://doi.org/10.19090/gff.2017.2.59-70
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Section
Филозофија
References
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Burt, R. (2006). Judson Dance Theater: Performative Traces. London: Routledge.
Caroll, N. (1992). Theatre, Dance, and Theory: A Philosophical Narrative. Dance Chronicle, 3, 317-331.
Chazin-Bennahum, J. (2007). Jean-Georges Noverre: dance and reform. U: Kant, M. (ed.) (2007). The Cambridge Companion to Ballet. Cambridge: Cambridge University Press. 87-97.
Dalamber, Ž. R. (1995). Uvodna rasprava u Enciklopediju. Beograd: Kultura.
Fraleigh, S. H. (2004). Dancing Identity. Metaphysics in Motion. Pittsburgh: University of Pittsburgh Press.
Kristeller, P. O. (1951). The Modern System of the Arts: A Study in the History of Aesthetics Part I. Journal of the History of Ideas, 4, 496-527.
Lippincott, G. (1949). A Dancer’s Note to Aestheticians. The Journal of Aesthetics and Art Criticism, 2, 97-105
Tatarkijevič, V. (1980). Istorija šest pojmova. Beograd: Nolit.
Sparshott, F. (1982). On the Question: "Why Do Philosophers Neglect the Aesthetics of the Dance?" Dance Research Journal, 1, 5-30.
Sparshott, F. (1983). The Missing Art of Dance. Dance Chronicle, 2, 164-183.
Zurovac, M. (2016). Ideja estetike. Beograd: Službeni glasnik.